Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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unknow artist
Hortus Conclusus of the Virgin Mary

ID: 48459

unknow artist Hortus Conclusus of the Virgin Mary
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unknow artist Hortus Conclusus of the Virgin Mary


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unknow artist

  Related Paintings of unknow artist :. | Portrait of Charlotte Amalie von Hessen-Kassel | Still life floral, all kinds of reality flowers oil painting 72 | ontbijt stilleven met krab, | Young Children Playing a Game | Pappa detta kopparstick tycks Wenzel Holland vilja gora en jamforelse mellan banderol ocb orlogsfartyg |
Related Artists:
Vrancke van der Stockt
painted Triptic del Judici Final. Visio tancada del triptic in 1460
Theodor Hosemann
painted Blick uber die Havel auf das winterliche Brandenburg in 1838
Meunier, Constantin
Belgian Painter and Sculptor, 1831-1905 Belgian sculptor, painter and draughtsman. He was directed towards an artistic career by his elder brother, the engraver Jean-Baptiste Meunier (1821-1900). He entered the Acad?mie des Beaux-Arts, Brussels, in September 1845 and studied under the sculptor Louis Jehotte (1804-84) from 1848. In addition, in 1852 he attended the private studio of the sculptor Charles-Auguste Fraikin. Gradually he came to feel that sculpture, at least in the traditional form taught in Brussels, was incapable of providing an adequate vehicle for either exposition or expression. Still at the Academy, he transferred to painting, therefore, in 1853, and followed the courses given by Fran?ois-Joseph Navez, studying in the evenings at the Saint-Luc studio, with Charles De Groux. He became friends with Louis Dubois, F?licien Rops and other rebellious young artists who were to found the Soci?t? Libre des Beaux-Arts in Brussels in 1868. With these, Meunier was part of the realist avant-garde, while seeking out a path of his own in painting. It has been said that De Groux had a decisive influence on Meunier. The latter partly denied this and insisted that he had felt the need very early to practise an art that was more devoted to the masses, to the people. His interest in everyday life, in the experience and condition of man, can already be discerned in the sketches and studies he made during his stays in the Trappist monastery of Westmalle, near Antwerp, between 1857 and 1875.






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